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RASPBERRIES
They're Lightweight Title Contenders
By Michael Jaye
"Our most obvious problem," said Eric Carmen, lead singer and titular head of the Raspberries, "is having people think we're some kind of contrived Madison Avenue project."
And why is that? "Because we present our audience with something they haven't seen in almost ten years. Like the Beatles used to do, we come on stage dressed identically in our mod suits. People think we look ludicrous, and we do, compared to the way most rock bands are dressing now. But we dress that way because we think it complements our musical style. It's also our way of saying, 'Hey, don't worry about how we look, just judge us by the music we play.'"
So far, audience response to the Raspberries has been good. A little too good, in fact, to suit some of their co-acts. On a recent tour the hardworking, crowd-pleasing Raspberries were dropped because they were too tough an act for the Hollies to follow.
The four Midwesterners with the mod clothes and the million-dollar smiles have had one gold single, "Go All the Way," off their first album and sales are brisk for their second Capitol LP, Fresh Raspberries.
Composed of the "classical" rock & roll ensemble (drums, lead, rhythm and bass guitars), the Raspberries churn out tight, sweet, delicious little ballads which stop just on the tasteful side of mawkish, and short, energetic rockers whose only problem is the absence of any instrumental break long enough to get up a true Seventies boogie.
"We play the kind of music we liked when we were kids," said Carmen, 23, "you know—Beatles, Beach Boys, early Kinks. We try to put more sunshine into our songs than the Beatles and more rock than the Beach Boys.
"And about our name. We were sitting around one day, trying to think up something that would capture the real flavor of our music and also set us apart from traditional freaky groups like, for instance, Savoy Brown or Jethro Tull. We weren't having any luck. I got disgusted and for a joke threw up my hands and said, just like the Little Rascals used to do on TV, 'Awww, Raspberries!' The rest of the guys jumped on it and we became the Raspberries."
Each of the Raspberries—Carmen, drummer Jim Bonfanti, lead guitarist Wally Bryson and bass player Dave Smalley—grew up in the Cleveland area where they had early, scrambling days playing beer bars, frat parties and discotheques.
Jimmy lenner, who now produces the band, pulled a few strings and got several record companies down to listen to the Raspberries at JB's, a hot, sticky Cleveland rock club. In the frantic bidding war that followed, Capitol won out.
Rehearsing in Hollywood recently for the KROQ Coliseum concert, the Raspberries chugged into "Long Tall Sally," resurrecting the Beatles' 1965 arrangement complete to the Paulish ooooohs. Herb Belkin, Capitol VP in charge of A&R, says it's the stuff that long-lived, big-selling rock groups are made of.
Watching them practice, Belkin said: "For a long time now, people have been wondering which direction rock music is gonna go. I think lightweight rock will be it. For those of us old enough to remember, it's reminiscent of the Beatles of the mid-Sixties. And it also turns on a whole new generation of kids who really heard the fresh kind of rock that first made the Beatles popular.
"Anyway, I hope it does," Belkin sighed, because we've got a fuckin' lot of money tied up in these guys."
Rolling Stone / January 18, 1973
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1970
GROUP NEWS
Spec / February 1970
1972
HERB BELKIN
Billboard / January 15, 1972
5 GREAT BANDS
Cleveland Scene / February 24, 1972
POP PICK: RASPBERRIES
Billboard / May 13, 1972
CAPITOL ARTISTS: RASPBERRIES
Billboard / May 13, 1972
RASPBERRIES
Raspberries Songbook / June 1972
RASPBERRIES
Rolling Stone / July 6, 1972
RASPBERRIES
Melody Maker / July 15, 1972
GO ALL THE WAY
Phonograph Record / October 1972
RASPBERRIES ARE BLOWING
Melody Maker / October 28, 1972
POP PICK: FRESH
Billboard / November 25, 1972
FRESH
Phonograph Record / December 1972
1973
FRESH
Fresh Songbook / 1973
RASPBERRIES ROLLSWAGEN
George Barris Fleer Cards / 1973
RASPBERRIES
Rolling Stone / January 18, 1973
THE RASPBERRIES RAP!
Flip / March 1973
RASPBERRIES: A GROOVY NEWY
Teen Life / March 1973
ROLLSWAGEN SWEEPSTAKES
Star / March 1973
RASPBERRIES FRESH
New Musical Express / March 17, 1973
SUITS AND BEATLES
Hit Parader / May 1973
INTERVIEW WITH ERIC CARMEN
Cleveland Scene / June 28, 1973
STARS AND THEIR CARS
Tiger Beat Books / July 1973
DYNAMITE SCOOPS
16 Magazine / July 1973
RASPBERRIES: MUSIC MEN
Cleveland Press / September 7, 1975
RASPBERRIES GET LOYAL CHEERS
Cleveland Press / September 9, 1975
POP PICK: SIDE 3
Billboard / September 29, 1973
ALBUM REVIEWS: SIDE 3
Cashbox / September 29, 1973
RASPBERRIES: SIDE 3
Capitol Advertisement / October 1973
1974
SOUND WITHOUT SUGAR AND CREAM
Circus / January 1974
NEW RASPBERRIES
Cleveland Plain Dealer / January 30, 1974
FREE CONCERT FOR CHARITY WALKERS
The New York Times / April 29, 1974
BRAND NEW BERRIES
16 Magazine / August 1974
RASPBERRIES RETURN HOME
Exit / August 7, 1974
STARTING OVER
Phonograph Record / September 1974
POP PICK: STARTING OVER
Billboard / September 28, 1974
RASPBERRIES: STARTING OVER
Capitol Records / October 1974
STARTING OVER
Rolling Stone / October 24, 1974
OVERNIGHT SENSATION
New Musical Express / November 9, 1974
RASPBERRIES: AN OUTDATED STORY
Shakin' St. Gazette / December 12, 1974
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